teething is dedicated to melting bones and dancer's rights and agency in choreographic process. How to work with an immaterial medium such as dance in the context of capitalist ownership? The work explores immaterial ownership and dances psychodramatic poetry where corporeality dances in and out of the body.

teething


chest bone is not a one thing

but bone dust from a great height

ready to burn the museum to the ground

and throw up the melted insides out

the grass is teething

they can suck your fingers until they fall off and swallow them and

shit them out

i hope you buy oysters

but it doesn’t matter because after all

everything you ever wished was a lexicon. that means that the

language is a companionship, a lid, and the room is the area between

the four lines.

four lines was the best of times, meaning:

until the butter pours out from your pores.


Dance, choreography, concept, text: Suvi Kemppainen
Sound: Walter Sallinen
Light: Anniina Miettinen
Sound assistant: Eeka Rahunen
Sound technician: Arsi Kuonanoja
Costume: Elviira Medel
Graphic design: André Van Rueth
Premiere: 26.5.2021, Vanha Kaivos, Outokumpu
Produced by North Karelia Municipal Education Riveria, Outokumpu and Vanha Kaivos

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and then they left